How to Get Lana Del Rey’s Classic Stagecoach Style

Lana Del Rey‘s debut on the Stagecoach lineup has come and gone, but the live intro to her upcoming new record set the stage for its visual components, like the personal style she seems to be leaning into for this album cycle.

Gracing the stage in pretty, tea-length dresses, with hair set in brushed-out waves and lips painted a color described by Lisa Eldrige’s cosmetics brand as an “iconic, late 1950s/early 1960s salmon-pink,” Del Rey’s physical presence at the country music festival served a mid-century, on the bayou aesthetic.

Positioned at a mic stand in front of a rural southern home set on the stage, she looked perfectly poised as she sang sweetly about being by her husband’s side, “where the baby alligators play” and “no one talks to me like you do, or takes care of us so good this way.” (The dark side peeked through, too: “Should I turn on the light or burn down the house?” she later contemplated in the premiere of “Quiet in the South,” a track of quiet rage over the worry her man might not make it home that night. “Feet up on the back porch, the wind’s blowing through/ I’m staring at the propane, like, what’s a girl to do?”)

A handful of never-before-heard songs from her unreleased, untitled next record — formerly known as Lasso or The Right Person Will Stay, depending on when you asked Del Rey — made the Stagecoach set in Indio, Calif., Friday night (April 25): the aforementioned “Husband of Mine” and “Quiet in the South,” and “57.5,” which will be remembered as the one where Del Rey called out Morgan Wallen. She also sang the hauntingly beautiful “Henry, Come On” live for the first time, and her new ballad “Bluebird” was the star of a hologram interlude.

The first dress Del Rey wore, in demure, cream lace, was custom Valentino, stylist Molly Dickson noted in an Instagram Story.

When the “Summertime Sadness” singer returned to the stage post-interlude in red to sing an iconic line from the Born to Die track (“I got my red dress on tonight”), she was in custom Sugar Ferrini, according to Dickson. The strapless number complemented the earlier Valentino silhouette, with its fitted bodice, bow accent at the waist and full skirt.

Hair stylist Anna Cofone offered a how-to on achieving Del Rey’s coiffure in an Instagram post on Saturday. She listed Authentic Beauty Concept’s Glow Spray Serum for prepping mid-length and ends, and Tymo’s Airhype Lite hair dryer for smoothing before styling. She added Authentic Beauty Concept’s Airy Texture Spray and Nude Powder Spray to Del Rey’s roots as a “base for backcombing,” incorporated Remi Cachet Clip-In Deluxe hair extensions prepped with Curl Pro Stylist Mist, and set the singer’s hair using Tymo’s Cues curling iron with a 1/2-inch barrel. She brushed out Del Rey’s waves with an Olivia Garden Essential Style Double Tunnel Brush and finished the style with a mist of strong-hold hairspray.

Makeup artist Pamela Cochrane posted beauty notes as well, with a list of Lisa Eldridge products she used on Del Rey: Skin and Makeup Enhancing Mist, Seamless Skin Foundation in a mix of shades 5 and 10, Elevated Glow Highlighter in Crystal Nebula on her cheekbones, Kitten Lash Mascara “in the inner corners next to the lashes and underneath,” Kitten Flick Liquid Eyeliner “finely drawn along the outer half of eye with a small flick,” and Lip Pencil in shade 1W with Rouge Experience Refillable Lipstick in shade 189, Audrey.

See Lana Del Ray all dolled up in a clip of her singing “Henry, Come On” below, via Stagecoach’s official X account.

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